Classic Records (Supplement Edition)

Author: Li Hangyu
Publisher:
Publish Date: 1997-11-01
Features: The recordings selected in this book, in most cases, refer to this specific version in CD format as well as its LP format. However, considering that LPs are already rare in the market, CDs naturally become the primary format. For this reason, the cover images of the recordings listed in this book are mostly those of CDs. Since record companies continuously reissue these recordings, their covers and catalog numbers are not fixed. Therefore, it is essential not to rigidly adhere to the covers and catalog numbers but rather to identify the performers, ensembles, conductors, and recording dates. This book is a supplement to "Classic Recordings," featuring a total of 500 recordings, all of which are foreign classical music, including works by 20th-century composers. The selection criteria for the recordings in this book are primarily based on the importance of the pieces. Some recordings may have excellent performances and production, but if the repertoire is too obscure or holds a lower status, this book may have to omit them. This book strives to balance both performance and recording quality when selecting recordings. In cases where it is impossible to prioritize both, this book adopts the principle of prioritizing performance over recording quality as the standard for selecting recommended recordings. This book primarily references the "Penguin Guide to Recordings," which includes a three-star recording list with a flower icon. The recordings selected in this book, in most cases, refer to this specific version in CD format as well as its LP format. However, considering that LPs are already rare in the market, CDs naturally become the primary format. For this reason, the cover images of the recordings listed in this book are mostly those of CDs. Since record companies continuously reissue these recordings, their covers and catalog numbers are not fixed. Therefore, it is essential not to rigidly adhere to the covers and catalog numbers but rather to identify the performers, ensembles, conductors, and recording dates.