"High Mountains and Long Rivers (On the Art of Landscape Painting by Huang Binhong)"

Author: Yezi
Publisher:
Publication Date: 2005-12-01
Features: This is an academic monograph that comprehensively discusses the art of Huang Binhong's landscape paintings; it is also a powerful work that deeply analyzes Huang Binhong's calligraphy and painting art as well as Chinese painting art from the perspective of cultural studies; it is also the most comprehensive, profound, and authoritative study on Huang Binhong's landscape painting art to date. Reading this book not only helps you understand Huang Binhong and his landscape paintings but also enables you to grasp what Chinese painting is, what Chinese painting art is, and even the profound cultural connotations and infinite life value contained in Chinese painting. The structure of this book is roughly divided into three parts: Introduction, Analysis, and Synthesis. The introduction primarily starts with the issue of evaluating and appreciating Chinese landscape painting, which is the first problem people encounter. After clarifying the concepts of evaluating and appreciating Chinese painting, it discusses the cultural connotations of Chinese landscape painting and how to appreciate Huang Binhong's landscape paintings. The analysis section covers the techniques, skills, copying, sketching, perspective, composition, poetry, and calligraphy that are often encountered in landscape painting and are unavoidable for those learning to paint landscapes. For example, in the techniques and skills section, the scraping technique is first explained: what exactly is the scraping technique in landscape painting, what is its formation and concept, and how many types of scraping techniques are there in landscape painting? Then, it is illustrated how the scraping techniques used in Huang Binhong's landscape paintings are of a certain type, their origins, the composition of their scraping techniques, and their aesthetic characteristics. The synthesis section discusses several main paired categories related to the principles of landscape painting, which are also the main concepts that cannot be avoided in the aesthetics of landscape painting. This book primarily selects three pairs: artistic spirit and artistic conception, individuality and style, and inheritance and innovation. These issues are analyzed in detail from an aesthetic perspective, based on the artistic characteristics of Huang Binhong's landscape paintings. For example, individuality and style are an unavoidable topic in painting creation that must be addressed. This chapter is divided into two sections: "The Fusion and Sublimation of Personality and Painting Style" and "From Pursuing Inner Beauty to the Establishment of the Style of Freedom." It strives to analyze from the perspective of personality and painting, the reasons for the formation of Huang Binhong's landscape painting style, and what Huang Binhong often discusses as "inner beauty," until finally completing the highest aesthetic quality of painting—the style of freedom. This is an academic monograph that comprehensively discusses the art of Huang Binhong's landscape paintings; it is also a powerful work that deeply analyzes Huang Binhong's calligraphy and painting art as well as Chinese painting art from the perspective of cultural studies; it is also the most comprehensive, profound, and authoritative study on Huang Binhong's landscape painting art to date. Reading this book not only helps you understand Huang Binhong and his landscape paintings but also enables you to grasp what Chinese painting is, what Chinese painting art is, and even the profound cultural connotations and infinite life value contained in Chinese painting. The structure of this book is roughly divided into three parts: Introduction, Analysis, and Synthesis. The introduction primarily starts with the issue of evaluating and appreciating Chinese landscape painting, which is the first problem people encounter. After clarifying the concepts of evaluating and appreciating Chinese painting, it discusses the cultural connotations of Chinese landscape painting and how to appreciate Huang Binhong's landscape paintings. The analysis section covers the techniques, skills, copying, sketching, perspective, composition, poetry, and calligraphy that are often encountered in landscape painting and are unavoidable for those learning to paint landscapes. For example, in the techniques and skills section, the scraping technique is first explained: what exactly is the scraping technique in landscape painting, what is its formation and concept, and how many types of scraping techniques are there in landscape painting? Then, it is illustrated how the scraping techniques used in Huang Binhong's landscape paintings are of a certain type, their origins, the composition of their scraping techniques, and their aesthetic characteristics. The synthesis section discusses several main paired categories related to the principles of landscape painting, which are also the main concepts that cannot be avoided in the aesthetics of landscape painting. This book primarily selects three pairs: artistic spirit and artistic conception, individuality and style, and inheritance and innovation. These issues are analyzed in detail from an aesthetic perspective, based on the artistic characteristics of Huang Binhong's landscape paintings. For example, individuality and style are an unavoidable topic in painting creation that must be addressed. This chapter is divided into two sections: "The Fusion and Sublimation of Personality and Painting Style" and "From Pursuing Inner Beauty to the Establishment of the Style of Freedom." It strives to analyze from the perspective of personality and painting, the reasons for the formation of Huang Binhong's landscape painting style, and what Huang Binhong often discusses as "inner beauty," until finally completing the highest aesthetic quality of painting—the style of freedom.