One day, a poet, the sky: Poetry, sculpture, and painting

Author: Nato
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Features: Any language is dangerous for this book. Wittgenstein said, "For what can be said, one must say it; and what cannot be said, about that one must be silent." When facing this book, the only feeling required is to let the heart return to its place, like a flower belonging to the earth. A flower to the earth is voiceless, opening with humility, emitting a subtle fragrance—just a wisp connects it to the earth. All the pottery is silent, just like the primordial essence of life on earth. In this silence lies joy, exuberance, thunder and lightning. At the dawn of chaos, a ray of sunlight illuminated the quiet pottery. Touched by the touch of a spiritual hand, it took shape, gaining life, with the warmth of the hand lingering on its silken texture. Poetry. Sculpture. Painting. All, from the heart to the hand, inspiration gushed forth like a spring, that was the light of God, the revelation of the divine, carrying the power of divinity, concise, capturing the heart at once. Are the things that can easily capture the heart all simple and rustic? Nato's works shine with the sharpness of a scalpel, stripping away the disguises life imposes on us. Reducing life to a blank space, bare. The abundant white space in the book contrasts with the sculptures, that white space is the origin and destination of both poetry and sculpture.