Chinese Academia (Issue 7, 2001-3)

Author: Liu Dong, Editor-in-Chief
Publisher:
Publishing Time: Not Available
Features: The "Essays" section begins with discussions in political philosophy, a field that has recently become a significant focal point. It not only highlights the fundamental shortcomings of institutional culture through imaginative fulfillment but also demonstrates the potential for the transcendence of overall civilization through critical force. Based on the classification of knowledge types, the "Literary Studies" section systematically elaborates on the concept of the "" () in the history of Chinese music, pointing out that successive historians named relevant chapters in historical records as "Musical Annals" or "Music Annals," catalogers classified musical materials under the categories of "Music" in the Classics, "Lyrics and Qu" in the Collected Works, and "Arts" in the Philosophy section, and theorists used terms such as "orthodox music," "decadent music," and "Zheng Wei music" to conduct critiques, all guided by this principle. In the "Reviews" section, it explores the eternal interaction between the epistemological categories of "mind and theory" and hopes to logically deduce the stage diversity of the process of civilization from this logic. The "General Readings" section presents critiques and supplements on Su Yuanxi's article and responds to Chen Yixin's criticism.