Author: Heinrich W?lfflin (Switzerland), translated by Pan Yaochang et al.
Publisher:
Publishing Date: 2004-01-01
Features: This book is divided into two parts, primarily discussing art during the Italian Renaissance. The first part focuses on works, introducing and appreciating the works of masters from the High Renaissance and their predecessors. The second part delves into theoretical studies, describing the aesthetic ideals, concepts, and formal characteristics of the classical style of the Renaissance. W?lfflin's approach to studying art is distinguished by the perfect combination of technique, reason, and emotion, with every line brimming with sparks of inspiration. His language is highly insightful, explaining the painting and sculpture of the High Renaissance in Italy from a formal perspective while largely avoiding the significance of subject matter or other factors that influence the creative process. His stylistic analysis blends cultural history and psychology into the creative process, forming a comprehensive and self-contained aesthetic system. This formal theory has greatly influenced the development of art criticism.
Classical Art (Introduction to Italian Renaissance Art)
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