Author: Wen Jiehua
Publisher:
Publish Date: 2005-01-01
Features: This book reflects on and critiques feminist aesthetics and cultural theory from the perspective of Hong Kong culture, which serves as a meeting point between Eastern and Western cultures. It systematically introduces the basic concepts, theoretical roots, and cultural background of feminist aesthetics to Chinese readers, aiming to explore the author's in-depth reflection on feminist aesthetics through the lens of global culture that bridges East and West. The book is divided into a philosophical section and an empirical section. The philosophical section focuses on synthesizing various aesthetic concepts from the feminist movement, from modern to postmodern, using feminist theoretical research and analysis, and explores the possibilities and practical significance of feminist aesthetic theory. The empirical section focuses on examining the artistic transformations and personal destinies of several important female artists in the modern and contemporary periods. These specific explorations not only enrich the discourse of feminist cultural theory and aesthetic claims but also, from a practical perspective, express the author's deep sympathy and understanding of feminism. The author, Dr. Wen Jiehua, has long been engaged in the study of 20th-century feminist theory and cultural practice. In this work, she particularly emphasizes the integration of feminist theoretical claims and their practical conditions, presenting a profound and broad perspective that offers us a rich and unique research model.
Aesthetics and Gender Conflict (The Chinese Context of the Feminist Aesthetic Revolution)
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