Chinese Academia--2001.3

Author: Liu Dong, Editor-in-Chief
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Features: The "Essays" section begins with discussions in political philosophy, a field that has recently become a significant focal point. It highlights the fundamental shortcomings of institutional culture through imaginative fulfillment while demonstrating the potential for transcendence in overall civilization through critical force. Based on the classification of knowledge types, the "Literary Studies" section systematically elaborates on the concept of the "" () in the history of Chinese music, pointing out that successive historians named relevant chapters in historical records as "Music" or "Music," catalogers classified musical materials under the categories of Music in the Classics, Lyrics and Qu in the Collections, and Arts in the Philosophy section, and theorists used terms such as "" (rectifying music), "" (decadent music), and "" (music from Zheng and Wei states) to conduct critiques, all guided by this principle. In the "Reviews" section, it explores the eternal interaction between the epistemological categories of "mind and theory" and hopes to logically derive the stage and diversity of the process of civilization from this logic. The "General Reading" section publishes critiques and supplements on Su Yuanxi's article and a response to Chen Yixin's criticism.