China Oil Painting Auction Information (1)

Author: Da Yunhe
Publisher:
Publish Date: 2006-08-01
Features: "China Oil Painting Auction Intelligence" series, which includes 248 active Chinese contemporary and modern oil painting masters in the oil painting market in recent years, covering thousands of auctioned works. Arranged in chronological order of the artists' lifetimes, the series is compiled into a set of 6 volumes. Compared to similar books on the market, this series has its own format and characteristics. First, it focuses on the frontline oil painting market, directly selecting auction information from the long-term sales records of dozens of auction houses across the country that is meaningful to investors. This helps investors understand the basic development trajectory and current collection status of the Chinese oil painting market and anticipate collection trends. Second, the series is rich in content, compiling short biographies for each oil painter and introducing their artistic styles. The selected artworks include images, creation dates, materials, dimensions, estimates, hammer prices, artist signatures, auction houses, and auction dates—essential auction information for collectors. The series strives for comprehensive, detailed, and visual information, making it highly practical and reference-worthy. "Prosperity breeds collecting, chaos hoards gold." Since the 1990s, the art auction industry has rapidly risen in the Chinese market. Art collection has gradually expanded from primarily national cultural and institutions to a broader segment of the general public. In particularly economically developed regions, art investment has become the "second investment" for many private entrepreneurs. However, driven by economic interests, forgeries and reproductions have proliferated. For collectors and buyers, selecting valuable artworks from a vast and mixed pool of oil paintings, ensuring that the auction prices align closely with their true values, is like receiving "snow in the desert." Considering economic and market factors, regions along the coast with higher levels of auction marketization are expected to perform better in sales than other areas. Key distribution should focus on art bookstores, collection bookstores, and some galleries and auction houses. The companion series "China Calligraphy and Painting Auction Intelligence" is also recommended. "China Oil Painting Auction Intelligence" series, which includes 248 active Chinese contemporary and modern oil painting masters in the oil painting market in recent years, covering thousands of auctioned works. Arranged in chronological order of the artists' lifetimes, the series is compiled into a set of 6 volumes. Compared to similar books on the market, this series has its own format and characteristics. First, it focuses on the frontline oil painting market, directly selecting auction information from the long-term sales records of dozens of auction houses across the country that is meaningful to investors. This helps investors understand the basic development trajectory and current collection status of the Chinese oil painting market and anticipate collection trends. Second, the series is rich in content, compiling short biographies for each oil painter and introducing their artistic styles. The selected artworks include images, creation dates, materials, dimensions, estimates, hammer prices, artist signatures, auction houses, and auction dates—essential auction information for collectors. The series strives for comprehensive, detailed, and visual information, making it highly practical and reference-worthy. "Prosperity breeds collecting, chaos hoards gold." Since the 1990s, the art auction industry has rapidly risen in the Chinese market. Art collection has gradually expanded from primarily national cultural and institutions to a broader segment of the general public. In particularly economically developed regions, art investment has become the "second investment" for many private entrepreneurs. However, driven by economic interests, forgeries and reproductions have proliferated. For collectors and buyers, selecting valuable artworks from a vast and mixed pool of oil paintings, ensuring that the auction prices align closely with their true values, is like receiving "snow in the desert." Considering economic and market factors, regions along the coast with higher levels of auction marketization are expected to perform better in sales than other areas. Key distribution should focus on art bookstores, collection bookstores, and some galleries and auction houses. The companion series "China Calligraphy and Painting Auction Intelligence" is also recommended.