Author: Huang Nianran
Publisher:
Publication Date: 2006-01-01
Features: This is a special issue on the study of ancient Chinese literature, divided into three parts with extensive content, including the realistic context, discourse forms, distribution, production, and mechanisms of discourse in the study of ancient literary theory in the 20th century, as well as theoretical research on ancient poetry, ancient ci poetry, ancient prose, ancient fiction, ancient drama, category studies, methodology studies, and critical studies, etc. These studies inherit tradition while embracing openness. With original perspectives and rich content, they represent a praiseworthy achievement in the field of literary theory research. Given the diversity of discourse types, the complexity of distribution, and the subtlety of discourse usage in the study of ancient Chinese literary theory in the 20th century, this book will logically integrate the discourse forms, distribution characteristics, and production mechanisms of 20th-century ancient Chinese literary theory in the "Introduction." This logical integration, in the view of this book, is a necessary and beneficial supplement to the description of the "internal history." The book focuses on the "Middle Part" and the "Lower Part." The "Middle Part" consists of five chapters, primarily organizing and summarizing the overall research status of ancient poetry theory, ancient prose theory, ancient fiction theory, and ancient drama theory. This organization basically adopts two methods: first, summarizing the "general trends" of each sub-discipline's theoretical research from a diachronic perspective to verify the parabolic discourse movement of 20th-century ancient literary theory, and then, from a synchronic perspective, organizing and reflecting on important issues in the "sub-discipline theoretical research." The "Specific Studies" also ensure that each topic is elaborated on both diachronically and synchronically, with the "problem awareness" being the consistent thread. The academic historical framework adopted in the "Topic Studies" section, with problems as the core, can organically integrate with the aforementioned consistent "problem awareness"—this is where the book puts great effort.
History of Ancient Chinese Literature Research in the 20th Century (Aesthetics Volume)
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