I am a small grass

Author: Ding Ling, edited by Fu Guangming
Publisher:
Publish Date: 2006-03-01
Features: Tracing the footsteps of modern Chinese prose in the 20th century, whether it's the early "Yushi Faction" or "Lunyu Faction," the mother-love praising "Bingxin Style," Xu Zhimo's "Wild Horse Running" prose, or the once revered new classics by Yang Shuo, Qin Mu, and Liu Baiyu, all the way to the other side of the strait where Yu Guangzhong vowed to "" (cut off the of prose), or even the recent "Big Cultural Prose" or "Little Woman Prose," they are consistent in at least one aspect: "I write with my own hands, I speak with my own mouth." Regardless of the "literary style," whether it's the hard-hitting political critiques leaning towards essays or the soft and melodramatic, seemingly senseless lamentations, or the sorrowful and tearful reflections triggered by scenery and emotions, prose, to some extent, can exist as a sanctuary for the soul or a spiritual refuge. Art is independent, and prose must be personal. Like many modern writers, Ding Ling's literary creation later focused on prose. This genre is more suitable for those who have experienced vicissitudes and hardships to express their emotions. Her prose features natural, simple, passionate, and unrestrained language, which is concise, profound, vigorous, and exhilarating. Using the most ordinary words to write the extraordinary realities of ordinary people's lives, it encompasses various emotions of life. In the essay "I Am a Small Blade of Grass," Ding Ling tells of her creative process, her stories, and her deep feelings, showcasing the passionate inner world and personal charm of Comrade Ding Ling, leaving a beautiful impression and profound memory for the literary youth. To enter the world of Ding Ling's prose, one must read this essay, "I Am a Small Blade of Grass."