Author: Feng Yuan
Publisher:
Publish Date: 2006-07-01
Features: The works and essays collected in this anthology are selected from hundreds of pieces of art and tens of thousands of words created and written by the author over the past two decades since completing his graduate studies. The author's journey from self-taught painting to developing an interest, and then pursuing professional studies and teaching, spanned a considerable period of time. The author engages in both artistic creation and administrative management, and his encounter with theory stems from his firsthand experience in professional research and innovative practice, where he deeply felt its importance. Compared to the seemingly stable and conventional approach, the distinct and unique individual styles in both creation and theory preserve a precious, honest kind of (stubbornness/conviction). These works and writings are not necessarily profound insights, nor are they grand, structurally complex masterpieces. Most of the selected works and articles have been published before. The works have been carefully reselected, and minor revisions have been made to some words in the articles, while the overall appearance remains unchanged, reflecting the author's cultural footprint in his artistic thinking. Art manifests itself in form, and its visual effects serve as a direct channel for communicating with readers and fostering a sense of empathy, achieving immediate exchange. The multiple components that form the structure are realized through technique. Technique is like language, used to convey spirit and artistic resonance. Behind form and technique lies the driving force of the spirit. Form, technique, and spirit are all indispensable. Each can be the main focus, yet each can also serve as a supporting element—depending on the reader's perspective in appreciation. Successful art must excel in all three aspects. The principles of works and writings are (similar/interconnected).
Feng Yuan - Classic Works of Famous Chinese Painters
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