Chinese Academic. Issue 7

Author: Liu Dong
Publisher:
Publish Date: 2001-09-01
Features: The first essay begins with a discussion in political philosophy, a field that has recently become a significant focal point. It highlights the fundamental shortcomings of institutional culture through imaginative fulfillment while demonstrating the potential for transcendence of overall civilization through critical force. Based on the classification of knowledge types, the literary research systematically elaborates on the concept of "" () in the history of Chinese music, pointing out that historians named relevant chapters in historical records as "" (Music) or "" (Music), catalogers classified music materials under the categories of "" (Music category) in the Classics, "" (Ci and Qu category) in the Collected Works, and "" (Art category) in the Philosophy, and theorists used terms such as "" (Orthodox Music), "" (Melancholic Sounds), and "" (Zheng Wei Sounds) to conduct critiques, all guided by this principle. In the review section, it explores the eternal interaction between the epistemological categories of "mind and theory" and hopes to logically derive the stage (stages and diversity) of the process of civilization from this logic. In the reading section, it presents critiques and supplements on Su Yuanxi's article and responds to Chen Yixin's criticism.