Comparative Aesthetics in the Ecological Perspective

Author: Yuan Dingsheng
Publisher:
Publish Date: 2005-05-01
Features: The aesthetic field provides a comprehensive overview of the full spectrum and entire process of human aesthetics, encompassing both the essence and phenomena of human aesthetics. It includes the ancient celestial aesthetic field, the modern humanistic aesthetic field, and the contemporary and future ecological aesthetic field. The three generations of aesthetic fields successively evolve,ing a vertical comparison of human aesthetics. The aesthetic activities of various ethnic groups in the world both coexist with each generation of aesthetic fields and develop their distinct essential aspects. The Chinese and Western ethnic groups correspondingly develop their core essential dualities, forming a horizontal comparison within the vertical comparison. The stereoscopic comparison in both vertical and horizontal directions advances in the evolution of the aesthetic field genealogy. The contemporary ecological aesthetic field forms and develops through successive bidirectional coexistence with the cultural field, ecological field, and ecological environment field. It is practically constructed through the coupling and coexistence of ecological aesthetic subjects and objects. In the coexistence between the Chinese subjective ecological aesthetic field and the Western environmental ecological aesthetic field, it ultimately progresses towards the highest ecological aesthetic field of. Western mass culture and Chinese aesthetic culture correspondingly develop ecological aesthetics; Western environmental aesthetics and Chinese life aesthetics coexist to form ecological aesthetics; and human aesthetics enters a new historical era through the coupling and coexistence of the ecological aesthetics discipline and the ecological aesthetic field.