Japanese ceramics

Author: Zheng Ning
Publisher:
Publish Date: 2001-07-01
Features: The term "pottery art" is generally understood as ceramic art. Pottery is broad, referring to both pottery and porcelain; art encompasses both technique and artistry, specifically reflected in the application of craftsmanship and the expression of artistic talent. Throughout the entire process of pottery creation, the author's techniques and artistry are often intertwined. The term "pottery art" first appeared in Japan in 1932 when the Japan Pottery Art Association was established. Here, pottery includes the fired earthware, pottery, stoneware, and porcelain, while art encompasses the meanings of knowledge, technique, and artistry, reflecting the mastery of materials and craftsmanship, the ability to express spiritual pursuits, and the research capabilities of creative activities. Studying pottery art as a field of knowledge focuses not only on the craftsmanship and artistic effects of the products but also on revealing the principles of pottery art's development through its manifestations. Japan has explored this aspect quite deeply. For those studying the history of ceramic development, all ceramic products (regardless of quality) from ancient times can serve as materials for research. However, when studying the development of pottery art, products lacking artistic value, no matter how high their archaeological and cultural significance, should not be the subject of "Pottery Art Studies." Considering the scarcity of books in China on the study of Japanese ceramics and the great interest of ceramic enthusiasts in Japanese ceramics, I hope to introduce the overall historical context of Japanese ceramics and modern and contemporary pottery masters in Japan through this book, Japanese Pottery Art. Many chapters still narrate historical developments while providing some archaeological references as a reference, aiming to establish a foundation for further research on Japanese pottery art.