Outline of Chinese Painting Theory

Author: Jia Tao
Publisher:
Publish Date: 2005-04-01
Features: Chinese painting theory is a highly specialized discipline, an independent type of subject, yet it is closely linked with other disciplines such as the history of Chinese art, the history of Chinese painting, Chinese aesthetics, Chinese literary theory, Chinese calligraphy theory, and Chinese music theory. It is also inextricably tied to other ideologies such as politics, economy, social morality, philosophy, and religion. Chinese painting theory is particularly closely related to the history of Chinese art and the history of Chinese painting. This is because any theory is built upon the foundation of practice. The history of Chinese art and the history of Chinese painting record and describe the historical facts, artists, works, schools, styles, and phenomena of Chinese art and painting, including a brief introduction to the theory of painting. In contrast, Chinese painting theory focuses on summarizing and synthesizing painting theories. Although it also takes the historical facts of art as its background for explanation, Chinese painting theory is a specialized study of the history of Chinese art and the history of Chinese painting, representing a deeper and more specific theoretical evaluation. It provides a distinctive reference framework for painting practice through its unique aesthetic perspective and theoretical approach. Chinese painting theory is not only historical but also contemporary. Chinese painting embraces diversity and flourishes, which is a sign of historical progress. Yet, art must innovate to remain vibrant, as the saying goes, "Old trees in spring protect flowers even more." Once ancient art is revitalized, it can produce unparalleled vitality and charm. This book elaborates on the framework of Chinese painting theory through the works of and renowned painters, offering readers a fresh perspective. Using a selective yet comprehensive approach, the book systematically and concisely discusses and summarizes ancient traditional painting theories, while also striving to organize contemporary Chinese painting theory.