Reading without news

Author: Zhu Xiaofeng / Country: Mainland China
Publisher:
Publish Date: 2006-07-01
Features: That giant beast slowly fell from the top of the skyscraper, and this time the movie truly reached the final ending moment. The female protagonist, tears streaming down her face, bid farewell to Kong for the last time. A girl in the front row actually cried, moved by the emotion. An American living on the opposite side of the Earth made a film in the 1930s—after 2000. By the time of the 2000s, editors at the publishing house demanded that the author add the qualifier "last century" before the 1930s. A story about a down-and-out actress and a giant ape with romantic undertones, made in the 1930s, moved a Beijing teenager living on the same side of the Earth to tears. What does this mean? Many film critics are praising the high production technology of Kong, calling it the key to its global box office success. However, Chen director's superblockbuster Wu Ji, I think, is also incredibly impressive in its craftsmanship. But the latter, despite its efforts to move the audience, filled it with so much moralizing and wove such a complex emotional story, only to end up with laughter from the audience in the theater and ridicule from those outside.