1952-2002-Chinese Modern Architecture Painting

Author: Yang Chunfeng, Guo Hantu / Country: Mainland China
Publisher:
Publish Date: 2006-04-01
Features: With the development of society, the function, technology, materials, and art of architecture are constantly changing. People's aesthetic requirements under new concepts are integrated with architectural decoration art, so architectural decoration in modern buildings must embody the spirit of the times. However, as a part of a nation's culture, inheritance and development are not contradictory. Traditional painting art will continue to be applied and passed down in imitation ancient buildings and the ongoing restoration of ancient buildings, adhering to ancient conventions. Meanwhile, new architectural painting decorations will continue to develop and innovate while inheriting and advancing the fine traditions of historical and cultural context. Based on the characteristics of Ming Dynasty architecture, they will keep evolving and updating. In summary, due to the rapid development of the construction industry, modern buildings have new functional requirements, and the continuous emergence and renewal of new materials have led to the renovation of many buildings. In some places, modern painting decorations have been replaced, implicitly, by new equipment, new functional demands, and new building materials. Many of the paintings in this collection no longer exist today, having become "cultural relics," making them even more precious. This is because they once represented the decorative style of that era and held epoch-making significance.