Author: Zhang Hua
Publisher:
Publish Date: 2006-05-01
Features: This manuscript is divided into three parts, primarily elaborating on how the environmental crisis and ecological crisis, which accompany cultural and spiritual crises on a global scale, have become the direct driving force for the emergence of ecological aesthetics. The phenomenon of environmental crisis has awakened awareness and reflection from various perspectives, and the establishment of ecological aesthetics and other ecological disciplines has made ecological consciousness increasingly deeply rooted in people's minds. The author also points out that although humans have made efforts and contributions in promoting ecological concepts, advocating ecological awareness, and leading ecological thought, the research and development of ecological aesthetics in China are still in their early stages. Through these three main parts, the book outlines the position, significance, and important role of ecological aesthetics in the development of literary theory and aesthetics, and proposes the idea of establishing an aesthetic system of ecological existence through its own analysis. Research on ecological aesthetics in academic circles in China belongs to a relatively new field. The author of this manuscript has collected a large amount of materials on ecological aesthetics research from domestic and international academic circles in recent years, and has synthesized and reviewed the research achievements at home and abroad. Therefore, this manuscript not only has high academic value but also has certain reference value.
Ecological aesthetics and its construction in contemporary China
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