"Jin Wu Cang Ya - Cultural Art Antiquities Fragrance"

Author: Xia Feng
Publisher:
Publish Date: 2006-05-01
Features: This book is part of the "Treasures in the Golden House Series," providing a concise discussion on the origins of the "Four Treasures of the Study" (brush, ink, paper, and inkstone) and the "Seven Treasures" (such as ink slabs and brush rests), their characteristics in different eras, the collection histories of various owners, and price comparisons across different periods. It fully demonstrates the preserved value of these treasures that have survived to this day, making it an accessible and specialized guide for collectors. The term "wenfang" (literary room) was historically used to refer to the office for managing official documents, the study of scholars, and also served as a shorthand for brush, ink, paper, and inkstone. For example, in the "Mengliang Lu" by Wu Zimou of the Song Dynasty (Volume 3, "Scholars Taking Exams"): "Scholars were only allowed to carry 'wenfang' and examination papers, nothing else." It was said that in the old days, the literary room was considered highly sacred, where women were forbidden to enter, and it was a hundred paces away from the living quarters, so the sounds of roosters and dogs could not be heard. This is why there is the saying, "Let both ears not hear the affairs outside, and focus solely on reading the classics." Scholars dominated the literary room, just as women dominated embroidery, with each selecting items of their own preference. Therefore, the arrangement of the literary room also reflected distinct styles. The "Four Treasures of the Study" (brush, ink, paper, and inkstone) can be likened to irreplaceable core elements; the "Four Elegant Arts" (qin, chess, calligraphy, and painting) should not be taken lightly. Meanwhile, the myriad "Four Graceful Items" (brush holder, brush rest, ink dropper, and brush stand), as well as tables, chairs, and accessories, are all meticulously crafted, showcasing individuality, knowledge, and creativity. They also reflect the inner world and taste of scholars when they are alone.