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Author: Li Xiaowei
Publisher:
Publish Date: 2003-11-01
Features: The first part of my work, A New Study of Masterpieces from Changsha Kiln, was published in 1999 and won the National Book Award China Book Award in 2000, causing significant repercussions in the fields of cultural relics, archaeology, and ancient ceramics research. It unveiled the mysteries of Changsha Kiln's decorative art, elevated its historical status in the world of ancient ceramics, and sparked a new wave of interest in Changsha Kiln. In 2002, Changsha City applied to have the Changsha Kiln Site listed as a UNESCO World Heritage Site; in 2003, the annual meeting of the Chinese Ancient Ceramics Research Association and the International Symposium on Changsha Kiln were to be held in Changsha; the Changsha Kiln Research Association had been established earlier; and a large-scale album comprehensively reflecting research on Changsha Kiln was scheduled for publication in 2004. As a matter of fact, I was both a promoter and participant in these major events concerning Changsha Kiln. Of course, A New Study of Masterpieces from Changsha Kiln also played a certain role, as it provided a new platform. Taking up the pen to write my second monograph on Changsha Kiln was motivated by several factors. First, since the completion of the first part in 1999, a wealth of new materials had accumulated, new mysteries had been unveiled, and new research topics had emerged. Second, the Changsha Kiln International Symposium, which I had strongly advocated for and strived to bring to Changsha, was to be held there, and I wondered what gift I could offer my most desired mentors. Perhaps I should submit another work for the experts to review! Third, blessed by fate, while the SARS epidemic raged, I underwent a kidney removal surgery in Shanghai. The period of recovery was the perfect time for me to quiet my mind and engage in writing, filled with joy in completing research projects that overshadowed the physical and mental torment of the illness. But the main reason was that the great artistic realm of Changsha Kiln had consumed me; its rich, exotic cultural essence had permeated my blood.