Author: Wang Wenxia
Publisher:
Publish Date: 2005-09-20
Features: This book is a practical guide for senior students in applied design, delivering international synchronized design ideas and practical training, covering the most effective design composition principles. It includes analyses of renowned course examples from international design schools and features a special chapter titled "From Classroom to Studio," guiding students in successfully transitioning to design practice in society. Unlike previously published teaching materials, this series is more targeted and application-oriented. It also pays greater attention to emerging disciplines, material applications, and practical operations in multimedia design, among other issues. The topics are fresh, the content concise, the language fluent, and the examples vivid, making it a high-quality teaching material. This series highlights widely used course projects in commercial design, catering to the teaching characteristics of senior students in applied design. It starts with the fundamental principles of "Three Major Compositions" and progresses to training guidance in applied design, emphasizing the practical significance and operability of the teaching material. In addition to teaching applied design and practical knowledge in a synchronized international format, it also focuses on the practical application of basic concepts. The numerous practical course cases in the book are beneficial for enhancing students' innovative thinking and design abilities, helping them to master multiple design service projects with high quality, convenience, and efficiency. Of course, it is also an excellent self-study reference for design professionals and enthusiasts. It is believed that the publication of this applied design teaching material series will play a positive role in promoting the development of design education in China and contributing to the construction of a civilized and harmonious society.
Composing, Structure, and Application: From Three-Dimensional Composition to Four-Dimensional Creativity
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