The Renaissance in Venice

Author: (American) Patricia Furtney Brown, translated by Liu Ran et al.
Publisher:
Publishing Date: 2004-07-01
Features: The "Classical and Modern Art Series" consists of 10 volumes: "Greek Art," "Romanesque Art," "Gothic Art," "Byzantine Art," "Renaissance in Florence," "Renaissance in Rome," "Renaissance in Venice," "Art of the Human Body," "From El Greco to Goya," and "Impressionism." The "Classical and Modern Art Series" covers various artistic styles in the history of Western art from the glorious ancient Greek and Roman periods, through the great Renaissance, to the Impressionism of the late 19th century. "Greek Art" and "Romanesque Art" trace the glorious origins of Western art history, "Gothic Art" showcases the brilliance of theological art in the dimmed Middle Ages, while "Renaissance in Florence," "Renaissance in Rome," and "Renaissance in Venice" take readers back to the pinnacle of Western art history during the great Renaissance—humanistic era. "Byzantine Art" examines the mystery and subtlety of art from the Byzantine Kingdom, viewed through the lens of Christian civilization, from this Christian perspective of the "civilized world." Through the art tunnel created by this series, you can fully appreciate the enchanting charm of Western art. The series organizes world art and architectural art along the main thread of Western art history, not only providing detailed analyses of artistic styles but also deeply exploring the modern influences that arise from the integration of art with other fields. The authors are top experts in their respective fields worldwide. This series is highly authoritative and readable.
The Renaissance in Venice produced a dazzling group of geniuses—Carpaccio, Gentile Bellini, Giovanni Bellini, Giorgione, Titian, Veronese, and Tintoretto. Yet, for this vibrant and radiant art revolution, these names are far from exhaustive. What gave birth to this artistic marvel was Venice's series of "otherness" consciousness; its unique geographical location, incredible wealth, diverse racial and religious mix, grand and spectacular festivals, and extraordinary stability—all these factors shrouded Venice in multiple myths, inspiring a uniquely Venetian art. Brown studies the characteristics of this art—public, personal, and religious—and paints a vivid picture of Venice's rich expressions; the magnificent festivals and generous patronage ceremonies enhanced the citizens' sense of pride and responsibility, while the devout praise of saints and patrons purified faith. But Venice's greatest achievement was its secular art: the rediscovery of the pastoral world of the classical period, the innovation of landscape and portrait painting, and the admiration for female nudes. Through its art, Brown also presents a lively Venice, giving us a clear impression of the grandeur and magnificence of this city. Patricia Furtney Brown is an associate professor of art history at Princeton University and has published numerous academic papers on the Venetian Renaissance, such as "Venetian Narrative Painting in the Time of Carpaccio" and "Venice and the Classical: Venice's Historical View."
[Target Audience] Architects, artists, art enthusiasts, faculty and students of universities and colleges.
Other volumes in the "Classical and Modern Art Series":
Byzantine Art—From Antiquity to the Renaissance
From El Greco to Goya—Spanish Painting, 1561–1828
Gothic Art—Glorious Images
Romanesque Art
Art of the Human Body
Renaissance in Florence—Innovation in Art
Renaissance in Rome, 1400–1600
Greek Art
Impressionism