Really feel

Author: Zhu Liyuan / Wang Wenying
Publisher:
Publish Date: 1989-07-01
Features: This book not only proposes a series of new viewpoints in theoretical exploration but also opens up a new line of thought, constructs a new framework, and can be considered a new achievement in the contemporary theoretical research of Chinese literary and artistic theory. It elevates the study of artistic authenticity, a significant topic, to a new level. First, the book employs an interdisciplinary approach, breaking the conventional mindset of relying solely on philosophical epistemology and systematically explores the existence of artistic authenticity from multiple perspectives and levels. Second, it combines historical examination with structural analysis, shattering the one-dimensional, flat thinking model of theoretical research and constructing a three-dimensional, theoretical framework for exploring artistic authenticity in three directions: vertical, horizontal, and perpendicular. Third, the book uses a typological analysis method, challenging the traditional notion of uniformizing artistic authenticity and limiting it to realist narrative art. It points out that artistic authenticity is a universal requirement for all art forms, yet it manifests in different forms and characteristics across various genres, revealing the diversity of artistic authenticity and the uniqueness of authenticity in different artistic categories. This book not only proposes a series of new viewpoints in theoretical exploration but also opens up a new line of thought, constructs a new framework, and can be considered a new achievement in the contemporary theoretical research of Chinese literary and artistic theory. It elevates the study of artistic authenticity, a significant topic, to a new level. First, the book employs an interdisciplinary approach, breaking the conventional mindset of relying solely on philosophical epistemology and systematically explores the existence of artistic authenticity from multiple perspectives and levels. Second, it combines historical examination with structural analysis, shattering the one-dimensional, flat thinking model of theoretical research and constructing a three-dimensional, theoretical framework for exploring artistic authenticity in three directions: vertical, horizontal, and perpendicular. Third, the book uses a typological analysis method, challenging the traditional notion of uniformizing artistic authenticity and limiting it to realist narrative art. It points out that artistic authenticity is a universal requirement for all art forms, yet it manifests in different forms and characteristics across various genres, revealing the diversity of artistic authenticity and the uniqueness of authenticity in different artistic categories.