Author: Zhang Ange
Publisher:
Publish Date: 2005-01-01
Features: Chinese porcelain has a long history. As early as the Eastern Han Dynasty, true porcelain had already been fired, and at that time, porcelain came in only three colors: celadon, brown glaze, and black glaze. Enriching porcelain decoration with different colored glazes is known as glaze decoration. In addition to applying different colored glazes, patterns were carved, molded, and pierced onto the body, which is called body decoration. In the past decade or two, with the continuous improvement of people's living standards, an increasing number of people have developed a strong interest in collecting various cultural relics, and the collecting fever has gradually intensified. Cultural relics are non-reproducible and will only decrease over time. In addition to their historical, artistic, and scientific research value, people have increasingly recognized the potential for cultural relics to appreciate and increase in value in recent years. With the growing popularity of cultural relic knowledge and the active cultural relic market, a continuous stream of replicas, imitations, and new handicrafts have emerged. Porcelain with Overglaze Decoration from the Ming and Qing Dynasties: Identifying Authentic Pieces not only includes some ancient and valuable official kiln porcelain but also focuses on collecting common, low-value utilitarian and modern household porcelain with color decorations. As time passes, such porcelain becomes increasingly rare. The organization of Porcelain with Overglaze Decoration from the Ming and Qing Dynasties: Identifying Authentic Pieces is primarily based on chronological order, with secondary classification by type. To facilitate readers in understanding the changes in patterns and shapes of long-lasting types of colored porcelain across different periods and the characteristics of later imitations of the same types, they are arranged starting from the earliest appearance of similar objects, following a chronological line in order. This may seem lacking in order and somewhat chaotic, but it allows readers to easily compare, analyze, and identify patterns, grasp identification methods, and improve their collecting skills.
Identifying Genuine Ming and Qing Overglaze Porcelain
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