Author: Shan Guoqiang, Yang Danxia, Editors
Publisher:
Publish Date: 2003-03-01
Features: Chinese painting works are classified by their external binding forms, mainly including hanging scrolls, screen panels, paired scrolls, hand scrolls, horizontal scrolls, and fan-shaped pieces (including round fans and folding fans). Due to differences in size and external structure, painters adopt varying approaches in terms of content complexity, spatial arrangement, brushwork, and ink application, thereby presenting distinct landscapes, brush-and-ink aesthetics, and artistic tastes. Generally, hanging scrolls and hand scrolls, with their large dimensions and elongated forms, often feature elaborate compositions and expansive scenes, exuding grandeur. Even when some works have simplified imagery, they strive to create a sense of depth and breadth, avoiding emptiness. Painters pay meticulous attention to the creation of hanging scrolls and hand scrolls, carefully conceptualizing and fully demonstrating their brush-and-ink techniques. As a result, these works can embody an artist's artistic characteristics and style, and have long been valued by admirers and art historians. When compiling comprehensive or thematic collections, scroll works are always the primary focus.
Sheet paintings, single-page works, and fan-shaped pieces, with their smaller sizes and limited content capacity, are nonetheless cherished for their portability, agility, and suitability for handling or display on desks. We have selected a portion of these works that are concise, lively, and enduringly engaging, categorizing them as "miniature paintings" and compiling them into collections by genre—landscape, figure, and flora-fauna—to introduce their historical and cultural value as well as artistic features.
A Collection of Miniatures Through Chinese History. Volume on Characters
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