Author: Liang Qi
Publisher:
Publish Date: 2003-01-01
Features: Liang Qi was a painter with a tumultuous life. His path was fraught with difficulties, and he did not achieve widespread fame during his lifetime. Liang Qi was a versatile painter. He was skilled in both calligraphy and painting, and his expressions in both were equally expressive. Liang Qi was a unique painter. He had never attended an art college or apprenticed under a renowned master; he had solely relied on his natural talent and diligence to reach the heights of art. Liang Qi was an extraordinary painter. His artistic style was distinctive, embodying the genuine spirit and grandeur of the Chinese nation. The depth of his paintings reflects the unique wisdom and charm of the ancient Eastern civilization. He did not follow the path of blending Eastern and Western art; instead, he consistently pursued the tradition of promoting national freehand painting by transforming the past into the present. It can be said that this was an extremely arduous and long creative journey, but he never gave up. Liang Qi was a painter with comprehensive cultivation, and I consider him an old friend. His academic rigor deeply impressed me. While some painters' skills decline in their later years, Liang Qi's art only grew more profound and powerful with age, which was closely tied to his lifelong dedication to scholarship. Additionally, Liang Qi's paintings were unique, but this uniqueness was not due to low-level individuality. Some painters' works may also be unique, but they lack depth. Liang Qi's profound cultivation allowed his art to stand out as a high-level "uniqueness." Liang Qi was a master of both calligraphy and painting, and he fully deserved the title. In the past, due to various factors, he was not properly recognized by the world. Now, it is time to uncover this artist who truly deserves the name. Whether in terms of artistic achievement or his spirit of learning, Liang Qi serves as an exemplary figure for future generations to emulate.
Rongbaozhai Painting Spectrum, 151, Landscape Section
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