Introduction to 20th Century Chinese Music Criticism

Author: Ming Yan
Publisher:
Publish Date: 2002-10-01
Features: The music criticism of China in the 20th century, due to complex social reasons, has taken a tortuous path, and its concepts have also shown a relatively complex trend. Regarding this historical phenomenon, we have rarely, if not never, conducted systematic reviews and serious research on it. The reason for this is quite clear: it involves sensitive issues, not only concerning the evaluation of some individuals and the determination of right or wrong in some controversial topics, but also potentially encountering "taboos." As a young music scholar who had not yet made his debut, Ming Yan set his doctoral thesis on this topic, which required considerable theoretical courage. To tackle this subject, Ming Yan devoted considerable effort, immersing himself in extensive historical materials and personal accounts for several cold seasons, conducting in-depth and meticulous research. He placed the of music criticism concepts within the broader historical context and intellectual and cultural background to explore their origins. His doctoral thesis clearly outlines the historical trajectory of the evolution of music criticism concepts in 20th-century China, providing a preliminary summary of the 20th-century vision. Although these issues still await further research and discussion, Ming Yan has taken a meaningful step by proposing his perspectives.