Here’s the translation as per your instructions: Chasing and Parting Tenderness -- Photography and Painting in the Visual Age: Photography and Painting in the Visual Age All Chinese text has been translated into English, and the original "" (line break) is retained as instructed.

Author: Qu Mo
Publisher:
Publish Date: 2002-05-01
Features: Photography and painting have an inseparable bond, with a continuous exchange of ideological influence and form borrowing between them. Photography poses a challenge to painting, compelling it to transform into different visual forms. Overemphasis on "unity" implies neglecting their individuality and the aesthetic distance between them, while overemphasis on "dispersion" suggests forgetting their visual interconnectedness and mutual attraction. This book is divided into three parts: Century Tide, Instant Thoughts, and Silent Poetry. Detailed contents include: Century Transformation, Towards Dialogue, Entering the Image Era, Introducing Strategic Creativity, Returning Amidst Blossoms, Touch in Exile: Touching in Wanderings, Salvaging the Essence of Human Civilization, Miniature China Cities, The Charm of Authenticity, The Tension of the Chinese Character, Eastern and Western Youth Waves, From "Upside Down" to "Playing in the World"; Instant Thoughts, Theories of Photographic Moments, "Two Selves," The Shattered Third Eye, How Deep is the Photographer's Gaze, One Form, Two Images: Playful Visual Puns, The Muse Laughs When the Photographer Thinks, The Magnificence of Clouds and Sun, Seeking One's Own Mystery, Developing Coincidence, Playful Arrangements, Art Without Abstraction Is Not Art, The Theory of Formual, He Has Three Eyes, Dancing Shadows and Dreaming, Life in Extreme Contrast, Frozen Landscapes in the Lens.