Author: Zhang Guofeng
Publisher:
Publish Date: 2000-01-01
Features: The content of this book: "Old people shouldn’t read Romance of the Three Kingdoms"; Liu Bei’s hypocrisy; Zhuge Liang being a burden to Liu Bei; Rats give birth to offspring who can dig holes; Defending classic literature; The exciting parts are all fictional; The relationship between Shu Han and Eastern Wu; The critical issue of talent; "After much anticipation, they finally appeared"; Everyone can perform magic tricks; The dominance of (feudal grievances) in people’s hearts; How Chinese people depict war; The confusion surrounding the Battle of Red Cliffs; Did Liu Bei borrow from Xingzhou? The turning point of Shu Han’s decline; Various forms of surrender; The most difficult to understand is Cao Cao; The perspective on women in Romance of the Three Kingdoms; Emotional attachments vs. heroic shortcomings; Zhuge Liang’s scholarly demeanor; Judging by appearance and the tragedy of Wei Yan.
Romance of the Three Kingdoms is not only the first historical novel in the history of Chinese fiction but also the first long novel in China, and this is certainly no coincidence. In the early stages of the development of the long novel form, the rise and fall of history provided ample material for the vast content required by such works. At the same time, with the vast scale and rich content of historical texts, novelists could relatively easily construct the grand framework of a long novel. Before the maturation of the novel form, no other genre was as adept at storytelling as historiography.
Among ancient Chinese literary works, apart from some widely circulated poems from the Tang and Song dynasties, the most influential on contemporary readers are probably novels. Beyond the "Four Great Classical Novels" (Romance of the Three Kingdoms, Water Margin, Journey to the West, Dream of the Red Chamber), other novels with a large readership include "The Two Words and Three Beats," Golden Lotus, The Scholars, and Strange Tales from a Chinese Studio.
Contrary to the widespread popularity of novels among the masses, academic research on them tends to lean toward complex textual (textual criticism) and abstract theoretical approaches. Bridging the gap between scholarly research and the mass reading of the general public has long been a question and direction of our efforts. To this end, we designed the "Whispering Series," which has received positive feedback from readers since its publication.
Sure, here is the translation: Murmuring About the Three Kingdoms
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