Flowers disappear in the time airport -- Farewell, the 1980s. Beautiful writing volume

Author: Chen Jingyao
Publisher:
Publish Date: 2005-04-01
Features: The concept of "post-80s" is purely a commercial outcome, its effectiveness in communication and memory aligning with the principles of a commercial society—simple and quick. Writers who grew up under this concept are, on one hand, lucky, as the dark and arduous times when predecessors desperately waited for recognition are reduced to just a signing ceremony for them. However, the media holds today's young writers hostage, just as young writers hold the media hostage—they mutually extort each other. When "post-80s" writing becomes a label or symbol, its literary significance is lost, and extraneous factors like age and physiology, seemingly unrelated to literature, become what gossip journalists and writers themselves value. The first batch of young writers who entered the field were labeled "post-80s," while successive generations, without any authorization, consciously include themselves under this label from the very beginning of their writing careers. In fact, this is not a driving force for them but rather a deep wound. We should move on from the "post-80s" label, allowing these young people in their early twenties to become more mature and rational in the face of reality. They should take on the responsibility of dismantling the "post-80s myth" and ensuring that this fleeting symbol has a perfect end. Young writers born in the 1980s describe people and things they are familiar with or not, filled with melancholy and helplessness, dreams and ideals, tangible emotional experiences, and even more that is thought-provoking and deeply meaningful. The Flower Blooms Lost in the Time Airport is a collection of essays, including traditional prose, (s), reviews, and (). The writing is casual and unrestrained, revealing the authentic lives and emotions of this generation in more eccentric texts.