Qing Dynasty Famille Rose Porcelain Identification

Author: Cai Yi
Publisher:
Publish Date: 2005-06-01
Features: Porcelain decoration with underglaze painting, known as "famille rose," emerged in the middle and late period of the Kangxi era of the Qing Dynasty (1662-1722). Its creation was primarily based on enamel painting, which can be considered a product of the ancient Chinese adaptation of foreign techniques. During its formation, flourishing, and development, the color powder gradually replaced enamel painting and was widely used by both the imperial court and the general public, becoming an important type of underglaze painting decoration in Qing Dynasty porcelain. This book selects over 160 pieces of Qing Dynasty famille rose porcelain, analyzing each piece from the perspective of identification, enabling readers to achieve the goal of recognizing genuine works and distinguishing imitations. The emergence of famille rose is closely related to the introduction of white pigment from imported enamel painting materials. Its name only formed in the late Qing Dynasty after continuous improvements and refinements in the technique and deepening understanding of it. The phenomenon of mixing famille rose with other overglaze decorations occasionally occurs, and the fine pieces are similar to enamel painting, making it easy for people to have a vague concept of it. Only by fully understanding this decorative technique can people better appreciate and identify it.