Contemporary Western Architectural Aesthetics

Author: Wan Shuyuan
Publisher:
Publish Date: 2001-07-01
Features: This book meticulouslys the evolution of contemporary Western architectural aesthetics from the dual perspectives of theoretical analysis and practical examination, and conducts an in-depth exploration of contemporary Western architectural aesthetic trends, aesthetic thinking, and aesthetic spirit. The author argues that the aesthetic framework of contemporary Western architecture is primarily supported by historicalist architectural aesthetics, neomodernist architectural aesthetics, technicist architectural aesthetics, and organicist architectural aesthetics. The aesthetic forms of contemporary Western architecture can be broadly categorized into three types: beauty, eccentricity, and the fusion of the two. In terms of aesthetic thinking, contemporary Western architectural aesthetics distinctly exhibits four characteristics: non-whole, non-rational, non-linear, and symbiotic thinking. From an intrinsic spirit perspective, it demonstrates a feature of irony and playfulness, rebellion against all, and metaphysical speculation. Overall, deconstructivist architecture is the most prominent in contemporary Western architecture, and it is also the most controversial. Looking at the development of contemporary Western architecture, it can be said that while the charm of contemporary architecture seems to lie more in its appeal to visual aesthetics rather than in ugliness and eccentricity, absurdity and ruin; not in aesthetic pleasure but as an expression of cultural spirit and a critical force rich in metaphysical speculation and irony. With a profound foundation in philosophy and aesthetics, the author extensively examines the creation and theoretical activities, as well as the outcomes, of contemporary Western architecture. From practical observation to theoretical analysis, the book provides a relatively comprehensive of architectural aesthetics in Western mainstream countries such as the United States, Europe, and Japan over the past few decades. It clearly and systematically portrays the development and trends of contemporary Western architectural aesthetic trends, enabling readers to discern the fundamental developmental amidst the complex, chaotic, and noisy various "isms" and schools. The book is well-documented, rich in content, clear in organization, and correct in argumentation, holding dual significance in guiding theoretical thinking and practical application for understanding contemporary Western architectural aesthetics.