Form Composition · Selection of Excellent Works by Students of the School of Basic Art, China Academy of Art

Author: An Bin
Publisher:
Publish Date: 2004-11-01
Features: The research on the fundamentals of form composition and creative studies starts from the relatively independent meaning of form, conducting an in-depth analysis, summarization, and study of the visual tension, visual psychology, synesthesia, situational atmosphere, and other factors brought about by the various elements that constitute the image. It is based on the expressive conventions of Eastern and Western plastic arts, systematically organizing, summarizing, and studying the similarities and differences in visual observation methods, aesthetic psychology, cultural differences, and symbolic and metaphorical elements. It reveals the decorative patterns of the formal elements of plastic arts and the common perceptions and universal significance of individual emotional expression. The research on the fundamentals of form composition will break through the boundaries of painting types and media, attempting to study and summarize the general principles and universal rules of the visual forms of plastic arts. This research outcome will have a fundamental guiding significance for the design and creation of graphic elements in traditional Chinese painting, oil painting, printmaking, and other flat art forms, as well as in sculpture, installation, and new media. The topic is supported by theory and works, categorically summarizing and discussing the content, forming an organic whole that progresses from simple to complex, with relatively independent units yet interconnected links, providing direct assistance to the teaching process and operations.