Peony Resurrection

Author: Bai Xianyong (Editor)
Publisher:
Publish Date: 2004-11-01
Features: Unexpectedly, four hundred years later, on the stage of Taipei, it once again showcased its immense charm, deeply moving the young generation of the 21st century. I saw two actors, their faces blossoming like spring flowers, drenched in sweat, smiling happily and innocently. They knew their performance was a success because of the enthusiastic response from the audience; but they were unaware that this performance in Taipei might have established a new milestone in the history of Kunqu opera. The book is exquisitely designed. It features over a hundred stunning on-stage photographs of the Youth Version of The Peony Pavilion, provided by Taiwanese photographer Xu Peihong, capturing the fleeting beauty of the stage in vivid detail. The male and female protagonists, Yu Jiulin and Shen Fengying, as well as the directors, stage production teams, and others, have also shared their experiences and reflections on participating in the performance. Reviews and appreciations from cultural figures from both sides of the Taiwan Strait and the Hong Kong and Macau regions on the Youth Version of The Peony Pavilion are also included as important content. In May 2004, the full-length Kunqu opera Youth Version of The Peony Pavilion, directed by Bai Xianyong, premiered in Taiwan, Hong Kong, and Suzhou with the joint effort of cultural elites from both sides of the Taiwan Strait. The meticulous direction, melodious music and dance, and the integration of modern theatrical aesthetics into the new aesthetic expression have sparked fervent responses and stirred emotions, marking a milestone in the history of The Peony Pavilion performances—a perfect blend of literature and stage, tradition and innovation. This aesthetic classic, which comprehensively introduces the rebirth journey of The Peony Pavilion, presents the creative essence and insightful critiques of the Youth Version of The Peony Pavilion from multiple perspectives and with rich materials, highlighting the historical significance of this performance and how the ancient opera culture, spanning hundreds of years, has been revitalized and reborn, once again showcasing its brilliance. The book begins with Bai Xianyong's personal account of how he dreamt of bringing the Youth Version of The Peony Pavilion to life. It is accompanied by Xu Peihong's stunning on-stage photographs, capturing the fleeting beauty and moving moments of the performance. The male and female protagonists, Yu Jiulin and Shen Fengying, as well as the directors and stage production teams, have also shared their experiences and reflections for the first time. Finally, it includes reviews and appreciations from cultural figures across the Taiwan Strait, Hong Kong, and Macau, aiming to preserve a genuine and beautiful memory of this significant performance and to record its cultural heritage, while guiding more readers to appreciate the exquisite beauty, refinement, and emotional depth of Kunqu opera.