Song Mi's Shu Su

Author: Qin Qianli (compiled)
Publisher:
Publishing Date: 2004-05-01
Features: Original calligraphy with black silk lines, vertical 27.8 cm, horizontal 270.8 cm. There are 71 lines in total, with varying numbers of characters per line, totaling 556 characters. The Shu Su Tie exhibits an extraordinary and daring structure, full of changes and flexibility. It effectively adjusts in size, with tilted and upright elements coexisting. The characters are graceful and tall, with a charming and elegant demeanor. The composition is spontaneous and unrestrained, without any formal constraints. The brushwork is bold and unrestrained, expressive and dynamic, combining both square and round strokes, with a balance of firmness and flexibility. In places where the brush is hidden, a hint of sharpness is revealed; where the brush is exposed, subtlety is evident. The hanging drop endings abruptly stop, as if cut by a sharp knife, while the needle endings vary in direction, sometimes curved or straight. The pressure and release of the brush are distinct, with strong and lively ink trails. The strokes range from thick to thin, harmonious and balanced, neither dry nor overly moist, centered yet slightly off-center, avoiding extremes.
In terms of composition, the dense strokes contrast sharply with large blank spaces. Heavy and bold strokes alternate with light and delicate lines. The smooth brushwork complements the (sètì - resistant, uneven) touch, creating a dynamic and steady harmony. The dynamic movement of the wind and the majestic posture of a horse are perfectly blended with a calm and dignified stillness, forming a unique composition in the Shu Su Tie.
In summary, the unrestrained brushwork, the extraordinary structure, and the balanced composition break away from the peaceful and simple calligraphy styles of the Jin and Tang dynasties, creating an exhilarating and spirited atmosphere. Therefore, the Qing scholar Gao Shiqi once praised this piece in a poem: "Shu silk woven like birds' nests, Mi Dan's calligraphy surpasses Ouyang and Yu. Entering and exiting the Wei and Jin dynasties, it embodies natural charm. Like a wind-sailed warhorse, it is utterly exhilarating." Dong Qichang wrote in a postscript to the Shu Su Tie: "This scroll is like a lion attacking an elephant, using all its strength—it is the best work of my life."