Cold Willow Hall Collection

Author: Chen Yinque
Publisher:
Publishing Date: 2001-04-01
Features: Professor Chen Yinque, throughout his life, pursued writing with the moral compass of "freedom of thought and independence of spirit" as his academic career. His works are numerous, leaving a legacy for future generations, opening up a completely new realm in historical research, and his personal strength is revered by those who follow. This book collects his teaching notes and other scattered historical manuscripts from his teaching career, marking the first time they are published in China. In accordance with his wishes, the entire book is printed in traditional Chinese characters in vertical layout, with no symbols marked for names, places, or book titles. Generally, common characters are used, while a few variant characters are retained. Professor Chen Yinque's classical poems are of the highest quality both in quantity and artistic value. This book includes over 150 of his poems. The collection Dunhuang Zilixi contains seven Dunhuang manuscript copies from Paris, London, and the Pelliot collection, including Wei Zong's Qinfu Yinyan, Yunyao Jiacu (30 poems), Jibu Ge, Focu (three pieces), Licu (three pieces), Xiaocu (three pieces), and one volume of Soushenji. Professor Chen Yinque once annotated the Qinfu Yinyan and Yunyao Jiacu. In 1936, he published Reading Qinfu Yinyan (Tsinghua Journal, Vol. 11, No. 4). In 1940, he further revised and published Annotations on Wei Zong's Qinfu Yinyan (Self-published in Kunming, titled Annotations on Qinfu Yinyan). In 1950, he wrote Supplementary Corrections to the Old Draft of Annotations on Qinfu Yinyan (Lingnan Journal, Vol. 12, No. 2). These were later compiled under the title Annotations on Wei Zong's Qinfu Yinyan and included in this book. In his research on the history of the Sui and Tang dynasties, Professor Chen Yinque extensively collected materials from Tang Dynasty notes, novels, and poetry. His works such as Annotations and Proofs of Yuan Bai's Poetry, On Regeneration in Love, and Biography of Liu Shi can be seen as his three representative works that uniquely explore and analyze history using literary and poetic materials. Professor Chen Yinque, throughout his life, pursued writing with the moral compass of "freedom of thought and independence of spirit" as his academic career. His works are numerous, leaving a legacy for future generations, opening up a completely new realm in historical research, and his personal strength is revered by those who follow. This book collects his teaching notes and other scattered historical manuscripts from his teaching career, marking the first time they are published in China. In accordance with his wishes, the entire book is printed in traditional Chinese characters in vertical layout, with no symbols marked for names, places, or book titles. Generally, common characters are used, while a few variant characters are retained.