Ming Zhan Jing Feng Cursive Calligraphy "Thousand Characters"

Author: Shanghai Shuxue Publishing House
Publisher:
Publishing Date: 2004-05-01
Features: In the Ming Dynasty, the development of cursive calligraphy exhibited a stronger sense of individualism compared to previous periods. This is reflected in the brushwork and ink language, where the dynamic strokes and rhythmic pauses of Zhang Xu and Huai Su were still rationally controlled within a restrained range, with the central-axis brushstroke playing a dominant role. This "Cursive Calligraphy Thousand Characters" by Zhan Jingfeng, originally stored in the Xiuyin County Museum of Anhui Province, is now kept in the Anhui Provincial Museum and was created in the 24th year of the Bingshen era during the Wanli reign. This version of "Cursive Calligraphy Thousand Characters" is written with a thick, round, and central-axis brushstroke, creating an unbroken flow of, natural ink tones, and effortless transitions. The calligraphy feels as if the artist enters a realm untouched by others, with an extremely seasoned and vigorous brushwork. Applying this outward-expanding technique to cursive calligraphy showcases a powerful and penetrating brushstroke, as if it were executed in one breath, forming a harmonious and unified beauty. It is said that Zhan Jingfeng was an open-minded and witty person, fond of reading ancient books and collecting rare artifacts. Thus, he was well-versed in classical rituals, historical stories, and figures, as seen in this "Cursive Calligraphy Thousand Characters." From this piece, we can observe how the overflowing talent of Zhan Jingfeng, expressed through rational writing, deeply moves us.