Author: Ouyang Yingji
Publisher:
Publish Date: 2003-09-01
Features: At the beginning, there is an empty character. Emptiness, as a font itself, is an event, then evolving into words: space, air, empty, blank, free time, emptiness, hollow, empty talk, empty fantasy. From positive to negative, from stillness to movement, between what can be touched and what cannot—homeless, unburdened. Beyond enjoying the precious space of real gold and silver, one can always start a revolution at any moment, and we secretly get excited, thinking future days will be fresh and thrilling. With more and more days spent wandering abroad, the taste of being at home everywhere becomes clear. For various land, sea, and air transportation methods, one grows increasingly fond of them, never minding whether the night's sleep is on a high, soft bed or a hard, thin blanket. Suddenly, one asks oneself, do I miss home? What is home? And the old question is asked again. Is it the familiar bed? The yellowish light? A bowl of hot soup and a plate of noodles? Perhaps all of them. However, what truly matters is the hands and feet working together with those around, not just one, but all family.
Two people living: Starting from scratch with nothing.
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