Author: Xu Zifang
Publisher:
Publish Date: 2003-08-01
Features: This is the first monograph on the history of Ming Dynasty zaju. Based on long-term research and exploration, the author employs scientific methods such as systems theory, mental history, and art aesthetics to systematically and comprehensively analyze the development of zaju after the Ming Dynasty. It proposes important viewpoints, such as how zaju transitioned from the (folk) to the imperial court and then to the scholar-official study, as the key to grasping its developmental patterns. The book uses specific examples to illustrate broader themes, combining micro and macro perspectives, equally emphasizing both creation and performance. It offers innovative insights into the periodization of Ming Dynasty zaju, the imperial theaters like the Jiaofangsi and Zhonggusi, as well as the scholar-official theaters () and their development. It also provides in-depth and meticulous analyses of renowned zaju playwrights such as Xu Wei, Wang Daokun, and Meng Chengshun. In terms of writing style, it integrates macro-level overviews with micro-level analyses, theoretical frameworks with historical research, making it a valuable reference for professionals in the fields of theater history and literary history. It is also suitable for university students and faculty in the humanities and general readers interested in literature and arts.
History of Ming Dynasty Drama
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