Film and Television Creation Psychology

Author: Qin Junxiang
Publisher:
Publish Date: 2004-06-01
Features: Why do the same themes result in different film and television works? Why do the same screenwriter, director, or actor's works exhibit a consistent style? What psychological factors determine a film or television work, and how do these factors give rise to an image system through conflict and coordination? How much psychological depth does a successful film or television work contain? Is film and television creation solely the responsibility of the creators? What role do mainstream perspectives play? — This work will help you find answers to these questions.
This book is a specialized study on the psychology of film and television creation, offering both theoretical significance and practical value. It is grounded in the essence of film and television creation, employing theories from both Chinese and Western psychology and aesthetics. It analyzes and studies film and television creation as part of an overall, dynamic, and systematic field of film and television aesthetics. The book explores various psychological phenomena and patterns related to film and television creation, including the psychological characteristics of creators, the dynamic process of the psychological mechanisms of creation, the psychological connotations of film and television works, and the relationship between audience psychology and creation.
The book combines systematic theoretical discussions with specific case analyses, as well as static and dynamic analyses. It is well-reasoned, structurally rigorous, presents original arguments, and forms a self-contained system. It can serve as a textbook for undergraduate students in film and television programs or other art-related disciplines, as well as a reference book for graduate students in film and television, filmmakers, and film and television audiences.