Okay, here is the translation following your instructions: Lingnan School of Painting Research

Author: Shanghai Fine Arts Publishing House
Publisher:
Publish Date: 2003-12-01
Features: Shanghai Fine Arts Publishing House was established based on Shanghai Duyun Pavilion and specializes in publishing art books on Chinese calligraphy, painting, and seal carving. Due to its highly focused scope of selection, it has continuously deepened its professional development while also moving toward systematicization, consciously taking on the social functions of cultural accumulation and construction. It has now formed six major pillars of book structures, including art albums, documents on calligraphy and painting, art professional reference books, academic works on art, special printing publications, and art textbooks for primary and secondary schools. Additionally, it drives multi-level and multi-form academic activities on calligraphy and painting through professional journals such as Shufa (Calligraphy), Du Yun (Duyun Pavilion), Shufa Yanjiu (Calligraphy Research), and Shu Yu Hua (Calligraphy and Painting). Its influence extends both domestically and internationally.
With the arrival of the new century, the conflict between the old and the new, tradition and modernity, has once again unfolded on a new historical level. In recent years, the debate over the brushwork and ink techniques of Chinese painting has revealed a resemblance to the major controversy between the Lingnan School and the Chinese Painting Research Society in the early 20th century. Today, as we reflect on the century-old topic of tradition and modernity, revisiting the pursuit of reform by the Lingnan School and its second-generation outstanding figures in the last century, and weighing their achievements and shortcomings, will undoubtedly provide valuable insights for exploring the development of Chinese painting in the new century.