Ceramic chronicle mark catalog

Author: Xiong Yulin
Publisher:
Publish Date: 2004-05-01
Features: This set of "Chinese Cultural Relic Collection and Identification · Inscription Series" first introduces inscriptions of the ceramic category. It can be considered the first toolbook for object inscriptions following the category of paintings and calligraphy, showcasing considerable innovation. The ceramic inscriptions are divided into four volumes: Ceramic Chronological Inscriptions, Ceramic Hallmark Inscriptions, Ceramic Inscription Symbols, and Zisha Engraved Inscriptions. The first three volumes are organized based on the content of the inscriptions, following this framework and then arranged in chronological order, making the system clear and well-structured. The fourth volume focuses solely on Zisha engraved inscriptions. Based on its pioneering nature, there are inevitably imperfections and areas for improvement in both the system and the arguments. However, the experience accumulated from this serves as an important reference for the increasingly complete classification of inscriptions in other types of cultural relics. Thus, its pioneering significance is commendable.
Among the various factors in cultural relic identification, inscriptions are a crucial aspect, especially for paintings and calligraphy. Self-authored inscriptions are considered the primary basis, while others serve as important supplementary evidence. Inscriptions on ceramic pieces are one of the key elements in identification. This series categorizes and compiles Chinese ceramic inscriptions in chronological order, making them easily accessible for reference. It provides valuable material for cultural relic enthusiasts and is a highly targeted and practical toolbook. It is worth mentioning that the Zisha inscriptions in this series are relatively simpler compared to porcelain. The writing methods of Zisha inscriptions mainly involve carving and scratching, with a few exceptions of writing. The carving techniques include both relief and intaglio, and the content is primarily composed of name inscriptions and poetic phrases.