Secondary Elements: Women's Film Box: Women's Film Box

Author: Xiao Er
Publisher:
Publish Date: 2004-01-01
Features: Feminism is to womanism as lavender purple is to lavender. — American writer Alice Walker pointed out this sentence at the beginning of her essay collection, also highlighting the subtle essence of the relationship between women and feminism. The city where I currently live, Auckland, has lavender as a common garden plant. When spring arrives, vast purple mists swirl around, and I have come to understand its nature, no longer just viewing it as a small spice for tea or scenting wardrobes. In other words, without the living purple, lavender would be a dull concept. Similarly, womanhood is a woman's innate nature, an embodiment of the survival of feminism. Lavender has moist purple to be vibrant, and abstractly discussing feminist theory is like losing the purple of lavender, making it tasteless. The author's focus is not on explaining theories but rather on the emotional and cognitive understanding of the female perspective, making it interesting and resonant to read. It's like stepping into a misty lavender field, fresh and lively, close to nature. It's not just a journey of discovering, remembering, and analyzing images, but also a communication of shared joy and sorrow with the author, as we encounter sentences like these in her book: "For women, the platform is not the destination for departure or return"; "Perhaps hardship is not the cradle of love; love needs a greenhouse and flowers. In hardship, the less likable aspects of human nature may be exposed more. Love may make people emotionally rough, irritable, indifferent, and tired of each other." — Such incisive insights, I believe, are the true highlights of her book. Women explore the secrets of their bodies through mirrors. The graceful female body blooms silently before the mirror. She must first recognize herself before she can recognize the world. Women must give themselves a chance for a different life. She does not know how many stops there will be on her journey. And the platform is not the destination for women's departure or return. The back of an angel is a devil, and innocence's opposite is sin. Women are particularly so. When I see these powerful female counterparts who can stir up storms, I can't help but like them, as if heaven has granted them such a right. Their journey is still long, so why should they be shadowed by one or two men in their hearts?