Film and Television Arts Film Analysis

Author: Huang Lin
Publisher:
Publish Date: 2001-05-01
Features: When writing this book, we tried our best to use the general logic of social reality as the basic basis for interpreting films, while also trying to avoid generalizing criticism. In our hearts, there is always a voice echoing: it is not the artistic reality that adapts to some theoretical principles, but only when the theoretical principles align with the artistic reality are they considered correct. In terms of the selection of analytical subjects, our concerns are reflected in two aspects: one is the ratio of domestic and foreign films, and the other is the films that a large number of readers are actually likely to watch. Objectively speaking, readers may completely draw conclusions different from ours after watching a film. At this time, this book will provide readers with a comparative textual reference system, which is precisely our great wish and main purpose in writing this book. Of course, we also hope that this book can inspire readers to some extent. If it can truly achieve this, it will be an exciting thing. It should be noted that this book is a companion to Film and Television Art—Theory, Concise History, Schools. It is recommended that readers read the two books together if possible, so that they can have a more comprehensive understanding of film and television, an art with a wide impact in our time.